Archives for posts with tag: dragons
Image with thanks to "Homes and Garden Journa"l. See http://bit.ly/13ACooj

Image with thanks to “Homes and Garden Journal“.

I suspect that “Screens” is one of those atmospheric poems that evokes interesting images, but by the end of it the reader isn’t quite sure what it was all about.

Here’s how I see it:

The poem sets forward how our days are filled with noise and rushing. Simultaneously we seek escape in parallel realms and our imagination. We seek retreat in our dark and quite moments, in artists’ creations or in times past. In these kingdoms exist magical creatures (green-scaled dragons), conduits to the other side (golden bridges) and crafted beauty (tilted bonsai trunks).

There is a screen that separates these realms. Once one transcends it, one may see the province of imagination – “the far off poem”. The viewing platform, which in sensible understanding should be a stable structure, should ideally be positioned on the super moon. Not only are these lunar occurrences rare, but it is also difficult for most of us ordinary earth dwellers to make our way to the moon.

Screens is a poem about seeking poetry beyond the daily. At the same time, it is a poem about daily things: screens, commuting, traffic, viewing platforms and super moons.

Screens was one of the 104 poems I wrote over a year for my 2×52 project. These poems are collected in the book “In the Ocean: a year of poetry.”

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This is one of the designs on exhibition at The Fashion World of Jean Paul Gaultier From the Sidewalk to the Catwalk (until 25 Aug. 2014), which is on at the Barbican. The photo  is courtesy of Kelly Curtis. http://www.barbican.org.uk/artgallery/event-detail.asp?ID=14772

This is one of the designs on exhibition at The Fashion World of Jean Paul Gaultier From the Sidewalk to the Catwalk (until 25 Aug. 2014), which is on at the Barbican. The image is courtesy of Kelly Curtis.

Last year I wrote this diffuse poem. The setting is the large ice-mass that perhaps once bridged Siberia with North of America. A couple are migrating across this inhospitable realm. Imagine the pair dressed in furs, with all their worldly possessions in tow – tent, working dogs, blankets, food and household items tied to sleds. In the poem they are travelling towards the dragon’s gate. This endpoint motivates the woman with hope; it propels the man through sworn duty and allegiance. Both are so focussed on this outward destination – a gate in all its majestic and architectural wonder – that they are not aware of the small stirrings of life. The “soft pearl” is a growing child who embodies the para-reality of their journey and relationship. In contrast with the gate, a settled and solid structure, the child is something organic that will change and is less definable.

Solutrean Hypothesis” is one of twenty-five poems that feature in my book Emily’s Poems for Modern Boys.

Twitter: @BeadedQuill
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Books:
In the Ocean: a year of poetry
Emily’s Poems for Modern Boys
Shining in Brightness: Selected Poems, 1999 – 2012

Image with thanks to "Homes and Garden" journal. See http://bit.ly/13ACooj

Image with thanks to “Homes and Garden Journal”. See http://bit.ly/13ACooj

Today latticed with songs and compound triple time. Hung

other times (such as late at night) with green-scaled dragons,

golden bridges, tilted bonsai trunks.

More often stretched across with traffic;

the commuter’s weave of fumes and crush.

 

From a vantage point above the screen, ideally

the viewing platform on the super moon,

we may all see

that which is not for the human eye too keen

 

a near proximity to the far off poem.

If you’re on Twitter, please follow me as @BeadedQuill. I tweet about arts and culture and life.

Preview my first published volume, SHINING IN BRIGHTNESS.