Archives for posts with tag: blossoms
By Suzuki Harunobu (The Metropolitan Museum of Art) [Public domain], via Wikimedia Commons

By Suzuki Harunobu (The Metropolitan Museum of Art) [Public domain], via Wikimedia Commons

Supportasse Boughs

The blossoms have come!
The blossoms are here.
On parade, white ruffs
of spring’s courtiers.

24/3/2015

Today I present the second of the two poems about spring blossoms. These lines, indeed like those of “March Burst” (posted last week) and many of my ‘sushi’ poems, owes a debt to Ezra Pound’s “In a Station of the Metro” (1913).

I was in Standard 5, all of twelve years old. We relocated to the school hall while our ordinary classroom was enlarged and converted into a specialist science classroom. (Now that I think about it, this was quite a progressive enterprise for an all girls’ school in 1990s South Africa.)

The hall was dark and echo-ey. On the hall wall, as in the school passages, there were block-mounted reproductions of famous Works of Western Art. I spent many hours staring at a faded, blue-tinged reproduction of “A Sunday Afternoon on the Island of La Grande Jatte” wondering if the lady in conversation under the black umbrella would ever make it down the riverbank to the water’s edge. Of course, I had spent six years sitting through assemblies and other high day occasions in the hall, yet being taught in this formal space made it more intimate. The back corner of the ceremonial cavern became our classroom and learning nest for half a year.

It was during an English lesson that we sat over photocopies of “In a Station of the Metro” as an introduction to haiku. Years later, with some literature knowledge, I know that this is an unconvincing approximation of a haiku (inasmuch as haiku can even work in the English language and literary tradition) and an example rather of the Imagist poems of the twentieth century. I have also learnt a bit more about Pound’s work and life, which now adds conflicted layers to my adult reading of the poem.

But when I was twelve and I first read the poem, it was just me, the scene in the metro and the vivid image of petal-faces, a visual motif that I realise crops up in my own verse.


‘Supportasse’ is another term for the starched, lace collars worn by courtiers during the Renaissance. Read more about supportasses courtesy of the following links:

http://www.thefashionhistorian.com/2011/11/ruffs.html
https://historyofeuropeanfashion.wordpress.com/
http://en.wikipedia.org/wiki/Supportasse

Twitter: @BeadedQuill
Facebook: BeadedQuill
Books:
In the Ocean: a year of poetry
Emily’s Poems for Modern Boys
Shining in Brightness: Selected Poems, 1999 – 2012

Advertisements
These exuberant blossoms were taken by Filipa van Eck. They appear courtesy of the photographer, who is by day and night a talented opera singer.

These exuberant blossoms were taken by Filipa van Eck. They appear courtesy of the photographer, who is by day and night a talented opera singer.

On March 2nd when I woke up, I opened my curtains as usual. My first view is of the neighbour’s tree at the bottom of the garden. What had been bare brown branches across the winter had exploded seemingly overnight into white blossoms. It felt as though spring come. The poem ideas started to percolate. Here is the first of two poems about this year’s spring blossoms:

March Burst

Anthers atop a filament;
eyelashes pink.
The blossoms have come!

11/3/2015

Twitter: @BeadedQuill
Facebook: BeadedQuill
Books:
In the Ocean: a year of poetry
Emily’s Poems for Modern Boys
Shining in Brightness: Selected Poems, 1999 – 2012

A turn to the inside,
draws out liquorice laces,
long and sweet to suck and chew;
This turn to the inside
locates in other corners 
of the paper-layered drawer
small tacks 
of past stings


Scheduling a poem every day for a month (from 18 Jan. to 19 Feb.) made me feel impressively productive. Now I’m suffering for it. I have been writing long form copy for another project, but the poems seem to have stalled to less than a trickle. With this faint drip I’ve approached my notebook. I’ve tackled lines with my ballpoint on the tube and at my desk. In hopefulness, I’ve carried notepaper and pen with me on my wood walks.

Blossoms, crocuses, narcissi and daffodils announce the onset of spring. Why can’t my creative output bloom similarly?

A friend echoes my sentiments. It may soon be time for a fallow season. A poet who writes in the winter, might benefit from some respite in the spring. Let me see what happens come Thursday. Perhaps by then the tap will flow once again.

I’m still tweeting! Find me as @BeadedQuill on Twitter
BeadedQuill is also on Facebook.
Missing your BeadedQuill fix? Make sure you’ve got a dose on your bookshelf. There are two published books from which to choose:
Emily’s Poems for Modern Boys
Shining in Brightness