Escucha

My new muse 
is light in his visits,
is late,
never calls,
smiles his cheek,
tells me nothing.
So I invent 
everything.

My new muse
wears white-soled trainers
and a St. Christopher tucked against 
the tattoo, never seen in full.
When the night begins, 
the muse’s t-shirt smells of clean laundry.

My new muse
is an impish sprite.
He wears his hair
in spikes,
is light on his feet.

He’ll offer 4 minutes to Prince Royce,
“escucha las palabras”
but I wear too much clothing 
and worry about accurate footwork.

In the dance,
the muse
is patient with the serious poet.
He smiles a thank-you,
lets go,
leaves the floor,
leaves me turned,
shares nothing.
So I fabricate
the poem.


This poem marks the final work of my 104 project. I set about to write two poems a week for 52 weeks, to total 104 poems across a year. The aim of this endeavour was simply to produce on a regular basis. Irrespective of quality, subject matter, tone, style or artistic investment, the resulting works would be allocated to the 104 project and posted on this blog.

The creative burnout I experienced at the end of February, after a solid month of posting work, was unexpected. Production seemed to be on such a high. Another learning curve has been the resistance to completion. I have wrestled with this over the last couple of weeks.

In truth, during this time I have written more than the two poems required to complete the count. I have judged some of the work too personal or inadequate to post, thereby ignoring the very rules established at the beginning. Each of these recent poems fell short. It was not my intention to have the project end on an unceremonious note. None of them deserved to be The Last Poem.

All in all, these 104 poems (plus the 25 that were siphoned off for Emily’s Poems for Modern Boys) were not the sorts of poems I had intended should fill a book. It was my intention to explore grand themes of ars poetica, politics, justice and humanity. It felt time to explore the wide, broad, deep, conflicted, enduring state of the world.

Instead, my writing inevitably turns to examine the minutiae. Much of this last year’s work presents daily concerns of an ordinary suburban life. There are the quandaries of emotion and soul, work and provision, grocery shopping and living in rented accommodation.

130+ poems later, I am tired. It would also seem I cannot count, for not only did I recalibrated the mark as 102 on Monday, I have also counted 107 poems posted since last year. I have swum in a sea of poems and I am weary.

Truly, it has started to feel as though the muse has left me.

Those of you who follow me on Twitter will already know about my current interest in Bachata, a dance style from the Dominican Republic. I have now had all of eight lessons and this last Saturday attended my first open dance party.

In this inspiration dearth, I think the muse has met me on the dance floor.

The poems of the 104 project will be compiled into a book. This will be my third since February last year. Subscribe (see tab below right), or follow on Twitter or Facebook for updates.

My other titles, available for preview and purchase via Blurb.co.uk, are Emily’s Poems for Modern Boys and Shining in Brightness.

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